We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Putting Renewed emphasis on the Blues Whether it’s a song, a style, an idiom or an image, Duke Robillard will render it with mastery, power, nuance and an unerring grasp of its essence.
Born Michael John Robillard on October 4, 1948, in Woonsocket, R.I., Duke has carved out one of blues’ most illustrious legacies, while also trodding some lofty related territories as a guitarist, vocalist, songwriter, bandleader, studio sideman, producer, label operator and educator.
After showing an early affinity for music and guitar, he founded Roomful Of Blues with pianist Al Copley in Westerly, R.I., in 1967. By adding horns, Roomful announced itself emphatically as the prototypical jump blues band, and became a New England legend and a fixture beyond, as did Duke himself.
His unsurpassed mastery of the guitar style of T-Bone Walker (later crystallized memorably in his 2004 release “Blue Mood”) was deservedly heralded, but his breadth was also head-turning – from swing, standards and ballads to rockers, gutbucket Chicago blues and rockabilly.
By the time Duke left Roomful after a dozen years, he was firmly established in the upper echelon of contemporary blues guitarists. Duke went from Roomful to a stint with rockabilly revivalist Robert Gordon and then to the first iteration of the Legendary Blues Band, composed primarily of then-recent Muddy Waters sidemen.
The Duke Robillard Band debuted in 1981, re-emerging as The Pleasure Kings with their eponymous 1984 album on Rounder. It and its sequel, “Too Hot To Handle,” burnished Duke’s songwriting portfolio; the 1987 jazz outing “Swing” (with saxophonist Scott Hamilton) underscored his versatility and remains a highlight.
Continuing his solo career, Duke replaced Jimmie Vaughan with The Fabulous Thunderbirds in 1990. He cut his own much-awaited straight blues album “Duke’s Blues” in 1993 for Canadian imprint Stony Plain, leading eventually to a rewarding, continuing and prolific alliance, along with releases during the ensuing years on Point Blank/Virgin and Shanachie, as well as instructional videos. He has also launched his own labels with Jesse Finkelstein, Blue Duchess/Shining Stone.