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S H E M E K I A   C O P E L A N D ,   D O N E   C O M E   T O O   F A R   w r i t t e n   b y   M a r c   L i p k i n



               On her new Alligator album, Done Come Too Far,     Section on pulsating B-3 organ). On the all-
               Copeland continues the story she began telling     too-timely "Pink Turns To Red" (written and
               on 2018’s ground breaking America’s Child and      recorded prior to the May 2022 Uvalde, Texas
               2020’s Grammy-nominated Uncivil War,               school shooting), Copeland decries America’s
               reflecting her vision of America’s past, present   gun violence epidemic.
               and future. On Done Come Too Far, she delivers     Done Come Too Far’s better times and
               her hard-hitting musical truths through her        brighter days come on just as strong in the fun
               eyes, those of a young American Black woman, a     and swampy Fried Catfish And Bibles and the
               mother, and a wife. But she likes to have a good   boot-kickin’, semi-autobiographical "Fell In
               time too, and her music reflects that, at times    Love With A Honky". Spirits get lifted in
               putting her sly sense of humor front and center.   Copeland’s celebratory interpretation of Ray
               “This album was made by all sides of me—happy,     Wylie Hubbard’s Barefoot In Heaven, before
               sad, silly, irate—they’re all a part who I am and  closing the set with the heartfelt love song,
               who we all are. I’m not political. I’m just talking  Nobody But You, written by her renowned
               about what’s happening in this country.”           father, the late Texas bluesman Johnny Clyde
               And she doesn’t hold back. Recorded in             Copeland.
               Nashville and produced by multi-                   Copeland is used to the spotlight. Born and
               instrumentalist/songwriter Will Kimbrough          raised in Harlem, New York in 1979, she first
               (who also produced her previous two albums),       stepped on stage with her famous father at
               Done Come Too Far is Copeland at her               New York’s Cotton Club when she was eight.
               charismatic, passionate, confrontational best.     As soon as Copeland released her Alligator
               With singular purpose and simmering power,         Records debut Turn The Heat Up in 1998 at age
               Copeland unleashes the searing, history-fueled     18, she instantly became a blues and R&B
               tracks "Too Far To Be Gone" (featuring Sonny       force to be reckoned with. The New York
               Landreth on scorching slide guitar) and "Done      Times and CNN, among many others, praised
               Come Too Far" (with Grammy-winner Cedric           her talent, larger-than-life personality,
               Burnside duetting and playing Mississippi Hill     dynamic, authoritative voice and true star
               Country blues guitar). “If you think we’re         power. With each subsequent release,
               stopping,” she sings in both songs, “you got it    Copeland’s music continued to evolve. From
               wrong.” On "The Talk", Copeland shares the         her debut through 2005’s The Soul Truth,
               brutally honest, harrowing reality of a Black      Shemekia earned eight Blues Music Awards
               mother talking with her son about surviving an     and a host of Living Blues Awards. 2000’s
               encounter with the police (with the great           Wicked received the first of her four Grammy
               Charles Hodges of the famed Hi Rhythm              nominations. After two


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